The 1923 postmodern absurdist classic of capitalistic oppression is hauntingly revived: Daphne Rubin-Vega, Jennifer Tilly, and the cast all standout.
The Pushover
Rebecca De Mornay is ferocious as a hardboiled dame in John Patrick Shanley’s wild black comedy about a lesbian romantic triangle with film noir nods.
Poet On A String
James Agee, Delmore Schwartz, and his wife Gertrude Buckman are all vividly depicted in this absorbing and affectionate biographical theatrical fantasia.
Titus Andronicus
Patrick Page is tremendous as Shakespeare’s bloodthirsty Roman general in this lurid revenge tragedy; the production dazzles and the cast is dynamic.
The Croquet Player
H.G. Wells’ 1936 novella is freely adapted for the stage. At a French seaside hotel in 1940 we learn of creepy goings on in an English village.
Every Brilliant Thing
Daniel Radcliffe is tremendous as an Englishman coping with his mother’s suicide attempts; the audience participates in this exhilarating solo show.
This Is Real
Jean Genet’s writings are an inspiration for this exuberant and beguiling performance piece; nudity is plentiful and an American flag is burned.
Bughouse
John Kelly is awesome as an outsider artist in this spellbinding solo performance piece adapted by Beth Henley and conceived by director Martha Clarke.
Bigfoot!
A goofy 1980’s sci-fi musical spoof: the jovial behemoth’s seclusion is threatened by the town’s dastardly mayor. A dynamic cast lands the many jokes.
Chasing Manhood: Meatpacking District 1970’s
Veteran performer Steve Epstein’s enthralling confessional solo show is an ode to yesteryear New York as well as a personal psychosexual exploration.